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　　The spread of western history and the evolution of China’s historiography (1840— 1927) "Zhao Shaofeng by the Commercial Press.

　　China’s historiography has a history of several thousand years, with extremely rich heritage and extremely heavy tradition. However, by the beginning of the 20th century, great changes had taken place in China’s historiography, and the transformation from tradition to modernity was rapidly realized. The reasons are worth pondering and studying.

　　The spread of western history and the evolution of China’s historiography (1840— 1927) explores the process and laws of the evolution of modern historiography in China from the perspective of academic exchanges between China and foreign countries. In the past studies, modern historiography was described from the social changes in China and the dynamic responses of China historians to the society, but not enough attention was paid to the spread of western learning to the east and its influence, resulting in a single line in the history of modern historiography, which failed to fully reflect the development of historiography. This study has the significance of strengthening the weak links. The research data are scattered and many of them belong to rare literature, which is not easy to find. Although some scholars have done valuable pioneering work in this field, excavating and collecting new materials is still the biggest difficulty in this topic and the key to making new breakthroughs. Zhao Shaofeng traveled between Beijing Normal University and the National Library, enjoying himself, and finally completed this monograph with a certain depth and breadth.

　　For the history of China, 1840 was a special year. In this year, the western powers opened the door to the Qing Dynasty, and from then on, China became a semi-colonial and semi-feudal country step by step from an independent feudal country. The year 1927 was also very special. The fall of Beiyang government and the establishment of Nanjing government marked the end of the early history of the Republic of China. The former can be regarded as the origin of China’s modern historiography, while the latter can be regarded as the initial formation of China’s modern historiography. This book discusses the process of China’s historiography changing from tradition to modernity.

　　Of course, the stages of historiography and social history are not necessarily identical. However, in China, history is greatly influenced by society, which is closely related to social development. The historical situation has changed, and historiography, as a reflection of history and a positive reaction to history, has naturally begun to change. No matter from the change of historiography itself or the change of social history, there is no doubt that China’s modern history is limited to 1840.

　　It is necessary to distinguish between "modern history" and "modern history" here. In the historical discourse system of modern China, generally speaking, the period before 1840 is regarded as the category of ancient history of China, the period from 1840 to 1919 as the category of modern history of China, and the period from 1919 to 1949 as the category of modern history of China. Of course, there are also views that the period from 1840 to 1949 belongs to the modern history of China. The reason is that from 1840 to 1949, the social form of China was basically in a semi-colonial and semi-feudal society; The history after 1949 belongs to the category of modern history in China. Although there are some differences between the so-called ancient, modern and present, this difference can be ignored in a long period of history. Thus, under the discourse system of modern China’s historiography, the division of history into the ancient, the recent and the present takes into account not only the age but also whether the social form has changed. Even today in the 21st century, such a division method is still worthy of recognition. Although the time division of historiography has its own characteristics, it is not necessarily consistent with the time division of China’s social history, but it cannot be separated from this discourse system. "Modern History" and "Modern History" can all be expressed in modern historiography if translated into English, but in the history of Chinese historiography, I think they are still necessary to be independent. “Modern historiography refers to China historiography from 1840 to 1902, and modern historiography refers to China historiography from 1902 to 1949. Why take 1902 as the dividing point between China’s modern historiography and modern historiography? This is because Liang Qichao published the famous New Historiography in 1902, which had a great influence, so it can be regarded as a sign to open the curtain of China’s modern historiography. The transformation of China’s historiography from tradition to modernity was not realized overnight, but went through a process of evolution, which is modern historiography. The study of modern history in China is mainly composed of two clues: one is the continuation of traditional historical research and compilation forms; First, historical works reflecting the spirit of the times and coping with social crises are constantly coming out, as well as the emergence and development of new historical thoughts and historical book compilation forms. These two clues are not completely separated, but intertwined. But on the whole, the former is in a state of decline, while the latter is booming. The birth of "new historiography" in 1902 was the crystallization of new historical factors from quantitative change to qualitative change during the period of modern historiography. However, the construction of modern historiography is not accomplished overnight, and it has gone through the stages of early "new historiography", new historical textual research and historical hermeneutics. In 1927, the scale of modern historiography in China was initially formed. Such a distinction between "modern historiography" and "modern historiography" is not only based on the characteristics of China historiography’s own development,It also takes into account the division of China’s historical era, which is more in line with the actual situation of the development of China’s historiography and can solve the chaotic problem of concept application in the study of Chinese historiography.

　　The spread of western history and the evolution of China’s historiography (1840— In 1927), the six chapters of the text are "the input of western historical and geographical knowledge before 1840" and "1840— The spread of western history in 1860 and the change of historical and geographical concepts ""1861— Translation and introduction of western historical works in 1894 and expansion of historical research content ""1895— The new trend of historical translation in 1901 and the acceleration of modern transformation of historiography ""1902— Under the influence of world concept and nationalism in 1911 ‘ New historiography ’ Preliminary construction ""1912— The colorful western historiography input in 1927 and the multi-way development of China historiography ". These six chapters are divided according to the content characteristics of the introduction of western learning to the east, combined with the stages of China’s modern history and the changes of China’s historiography, and clearly show the influence of the introduction of western learning to the east on the evolution of China’s historiography. The evolution of modern historiography in China is closely related to the intersection of Chinese and Western cultures and the spread of western historical and geographical knowledge. In the early 19th century, Chinese periodicals run by western missionaries in Nanyang published western knowledge of history and geography. Their works on western history and geography objectively promoted China’s understanding of the western world. After the Opium War,Some important historical works were translated into Chinese in the book translation activities of western missionaries at trading ports, which brought more western culture. During the Westernization Movement, many western historical documents translated by the Translation Hall of Jiangnan Manufacturing Bureau, the western ideas brought by foreign envoys and students abroad, and the foreign historical works written by China scholars on the basis of seeing and investigating with their own eyes all reflected the gradual changes of China’s historiography under the background of academic exchanges between China and the West, and contained the modern historiography atmosphere. With abundant historical materials, this book demonstrates that before Liang Qichao published The New History, China’s historiography had introduced and integrated a lot of western historiography knowledge, and revealed the western factors in the modern transformation of China’s historiography.

　　This book enriches the content of China’s modern historiography and is of great significance to the study of China’s modern historiography. The author consciously uses dialectical thinking in his research methods, pays attention to the investigation of the spread of western history in different stages under the international situation and China’s domestic situation at that time, analyzes the dialectical relationship between historiography and society, foreign historiography and China historiography, the content and compilation form of history books, and the historical view and historical development, and explores the evolution and development of historiography from many contradictory movements. In the use of materials, in addition to the common biographies and historical works of historians, more attention is paid to the excavation of newspapers, notes, diaries, memoirs, files and other materials. In the comprehensive and key aspects of the research, we have achieved overall consideration. There is also a novel presentation in the research paradigm.

　　(Author: Zhou Wenjiu, Professor of History College of Beijing Normal University)

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Let’s take a look at the appearance of Chuanqi GS4 first. The front of Chuanqi GS4 has a cold shape and adopts a multi-spoke middle net, which is very recognizable. Headlights are very in line with consumers’ aesthetics and look very capable. The car is equipped with LED daytime running lights, automatic opening and closing, adaptive far and near light, delayed closing and so on. Come to the side of the car, the car body size is 4685MM*1901MM*1690MM, the car uses cool lines, the car side looks very cold, with large-sized thick-walled tires, giving people a very cool feeling. In the rear part, Chuanqi GS4 rear line is simple and elegant, and the taillights look very atmospheric, coupled with bilateral single-row exhaust pipes, the shape is relatively young.

In terms of interior, Chuanqi GS4 interior looks very simple and fashionable, with high overall recognition. The car’s steering wheel design is very individual, and it is equipped with functions such as manual steering wheel up and down+front and rear adjustment, showing a sense of atmosphere. Let’s take a look at the central control, with the 14.6-inch touch-sensitive LCD central control screen, which makes the interior design quite layered and looks quite fierce. Let’s take a look at the dashboard and seats again. The dashboard design is remarkable and looks strong in science and technology. The car uses leather seats, equipped with functions such as electric seat adjustment and seat proportion tilting, and the overall ride feels soft and comfortable.

Chuanqi GS4 is matched with a wet dual clutch (DCT) gearbox, with an acceleration time of 8.8s per 100 kilometers, which has good power performance and is completely OK for daily use.

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New Jiangsu Client China Jiangsu Net News (Reporter’s Manor) In order to continue to undertake the historical mission of product value, China Xingrui has made the fuel vehicle leap one generation, and realized that China Star has entered the era of 4 liters of energy saving and high-level intelligence. Recently, Xingrui L has arrived at the store. Let’s take a look at the changes and advantages.

On the appearance level, Geely Xingrui L Zhiqing has a lot of detailed design changes, using the front grille of the waterfall and the continuation of Geely’s family language. The grille is upgraded from the previous generation to the sunken one, separated from the headlights by body color, and the chrome-plated strip in the middle enhances the sense of grade. The logo of the car logo is upgraded to a silver logo, which is more recognizable than that of Xingrui. Full and powerful nose, deep air intake and concise grille elements create a more three-dimensional and full front face.

Xingrui L’s 18-inch multi-frame Fei Ying wheel hub is dynamic in shape and equipped with red calipers inside, which is fashionable and full of sports atmosphere, making people shine.

In terms of appearance, Xingrui L is newly upgraded. The whole vehicle adopts the exclusive color matching of "Qingshan Purple" to restore the richest optical color. The gradient effect in the sun is still very good. The four-coating process +2K varnish prolongs the service life of the car paint.

In terms of dimensions, Geely Xingrui L Zhiqing has a length, width and height of 4825/1880/1469 mm, a wheelbase of 2800 mm, a body track of 1618 mm, and a slight increase in body length, achieving the widest body, the longest wheelbase and the best aspect ratio at the same level. The car body is outlined by a number of slender broken lines, which is more layered. The back side of the D-pillar is also equipped with the words "Tiangong", which shows the sense of identity of the top model.

The tail has also changed. Xingrui L Zhiqing draws on the energy of time and space, and adopts the vast Milky Way through taillights. The cavity of the taillights is blackened, and the main area of the taillights is designed to be relatively large, and the middle light strip is designed to be relatively thin, which looks more fashionable.

In terms of interior, Xingrui L has upgraded the Cosmic Star River cockpit, intelligent multi-function steering wheel, luxurious electronic arms, light-tilting and shadow-flowing atmosphere lights, and swan-spreading curve to create a more spacious interior space; Xingrui L is equipped with a 10.2-inch instrument panel and a 13.2-inch central control panel. From the design point of view, the center console is designed in color matching style, the central control panel is designed in suspension, and the steering wheel is also designed in two colors. At the same time, the seat is designed to be wider, and the cushion is painted in bright colors. The overall interior design is more fashionable and beautiful.

In the power system, Xingrui L is equipped with excellent intelligent frequency conversion dual-engine technology in the industry, efficient BHE15 hybrid special engine, advanced three-speed frequency conversion electric drive DHTPRO and eight intelligent controls of intelligent control system. The thermal efficiency of the 1.5T four-cylinder hybrid engine of the new car reaches 44.26%, generating 3.5 kW h/L with high efficiency, the maximum power is 120kW(163 HP) and the peak torque is 255 N m.. Matching the engine is a three-speed hybrid special gearbox. P1 motor (Schaeffler) has a maximum power of 60kW and a maximum torque of 180N·m, which is mainly responsible for power generation and starting, and automatically outputs torque as a power source under large throttle; P2 motor (Borgwarner) has a maximum power of 100kW and a peak torque of 320 N m. It is mainly responsible for driving and kinetic energy recovery, and its maximum efficiency reaches 97%.

Compared with Yinhe L6, Xingrui L, which is different from plug-in car as a hybrid car, has a very good performance in all aspects. If you consider buying a car in the near future, Xingrui L will be a good choice.

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Address: No.21 Linqi Road, Jiangning District, Nanjing