分类： rtery

　　The sides of the 20 450 car bodies are more finely crafted than the 19 models. The top or waist line and tailgate design are very smooth and natural. The rear privacy glass can well protect the privacy of the rear row. The window lines, the design of the front and rear light sets are more focused, the round lines, the 20-inch AMG sports wheels and the overall design of the body are very sporty, and the overall design looks like it is a smaller version.

　　The distinctive feature of the 20 GLE450 is that there is a sloping or vertical tailgate at the rear. After opening the door, the luggage compartment space is connected to the passenger space. The rear bumper is wrapped in matte aluminum alloy, which makes it full of texture and wildness. In business situations, it shows domineering, and for family members, this car brings complete security.

　　The new generation of Mercedes-Benz GLE450 uses the family design language, which has changed a lot compared to the tough shape of the old model. For the first time, the model provides both off-road and sports appearance kits. The hexagonal large mouth air intake grille has become flatter, and the interior adopts a Mercedes-Benz gypsy dot matrix layout, with thick chrome trim, and a huge three-pronged star logo, which brings a strong visual impact.

　　It is very important for the 20 Mercedes-Benz GLE450 to adhere to the classic feelings, and it is also very important to make a big change. Many people around me have chosen other models because of the old GLE’s old and tired interior, so this replacement interior change is imminent. Compared with the old model, the new generation GLE car has changed very thoroughly. The addition of dual screens and the trend of central four air conditioners has brought more technological atmosphere in the car in addition to the usual luxury. The wrapping center console strikes a good balance between sports and luxury. The center console is wrapped in high-end soft materials, and there is also a stitching process and a large area of wood grain veneer to embellish.

　　The interior atmosphere of the 20 Mercedes-Benz GLE450 is more luxurious, and the relatively simple function button design also makes the operation more concise. The steering wheel of the new car centralizes the control of the stereo, phone and driving computer. The overall vision of the Mercedes-Benz GLE450 is consistent with the interior style of the center console, bringing endless luxury to drivers and passengers, and also highlighting the high-end atmospheric style and luxurious beauty of Mercedes-Benz.

　　20 Mercedes-Benz GLE450 models are equipped with a 3.0TV6 turbocharged engine, with a maximum power of 367 horsepower, a maximum torque speed of 500, and a maximum power of 270. In terms of maximum power speed 5000-6000 transmission, GLE will be fully replaced with Mercedes-Benz’s latest 9AT automatic transmission. Rich driver assistance systems and high-tech configurations, night vision systems, blind spot monitoring, automatic heating wiper systems, pedestrian detection braking systems, and anti-collision driving assistance systems are all on the scene.

Tianjin Huaxia Anbang International Trade Co., Ltd.

Tianjin Port Free Trade Zone Automobile City, China Anbang Booth

15502223555 Manager Wang (same as WeChat) 13042288321 Manager Wang

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1905 movie network feature　June 10, 25th sessionShanghaiInternational Film FestivalgoldKnight AwardMain Competition Unit EntriesIt was worthwhile.Hold a press conference, supervise the productionCao BaopingWriter and directorLiu JiayinBring actorsHu Ge,Wu Lei,Qixi,BaikeMeeting with the media.

In the film, Wen Shan, an ordinary screenwriter who is "left behind", accidentally starts to write eulogies for a living. In his encounters with ordinary people of all kinds, Wen Shan comforts others, gains warmth, and finally finds his own life direction. The film is a true portrayal of director Liu Jiayin’s more than ten years of constantly balancing the relationship between himself and the world to find answers. "I also often go to Babaoshan and the zoo. Many of them are my imagination of what life might be like. I imagine that I can do something in Babaoshan, and there is something that needs me, and this character is transformed from it."

In the film, Mr. Hu portrays an introverted observer who "smiles occasionally and is happy, but looks not so happy and everything is normal." When he first started creating the character, Mr. Hu was very concerned about whether he could find someone to refer to in real life, and the character did not fit his past experience in creating characters. "When I don’t have a specific person to refer to, I feel unconfident and afraid that I won’t be able to really get close to this person."

Ultimately, in this somewhat healing story, Hu Ge found a connection to his own experience in recent years. After his mother died in 2019, "I never had the courage to face this matter squarely. It was my good fortune to meet Wen Shan. In fact, when I met this character, he really kept healing and warming me, and I was always switching between Wen Shan and the character he healed."

For Wu Lei, who is working with Hu Ge for the third time and plays Wen Shan’s inner projection in the film, this performance is also a new challenge for Wu Lei, who is starting to try out the author’s film. Sometimes the characters are not so "landing", and at the same time they have to reach a certain echo and care with Hu Ge’s performance. As a character waiting to be created in the film, Wu Lei said that Xiao Yin is waiting for a better way out. "This is very much like myself, and like many young people, they long for a better future."

In Hu Ge’s opinion, the role of Wen Shan is to the director Liu Jiayin, just as Wu Lei’s role of Xiao Yin is to Wen Shan. Liu Jiayin, who projected a lot of her own experiences and emotions, admitted that when she first wrote the script, Wen Shan’s face was always blurred, until the moment it was turned on, "The reaction from quantitative change to qualitative change happened, he seemed to steal Wen Shan from me, and from then on I can see Wen Shan’s face."

　　Xinhua News Agency reporters Zhai Wei, Zhang Xinxin, Zong Wei, Duan Xu, Zhang Jian

　　Here is known as the cradle of New China’s automobile industry: the development and manufacture of the first car, the first Dongfeng brand car, the first Red Flag brand high-end car, FAW ushered in a new era of new China’s automobile industry from scratch, marking a solid step towards an automotive powerhouse.

　　Here is the expression of the hard work of several generations of Chinese automakers: building factories in the wasteland, laying the foundation for a business, and making independent innovations. Behind the development history of FAW is the fighting spirit of courage to explore and not afraid of difficulties.

　　When the General Secretary of the Supreme Leader inspected FAW in 2020, he stressed: "We must master the key core technologies in our own hands, and we must set up this ambition to promote the national automobile brand."

　　After 70 years, FAW and China’s automobile industry, which have stood at a new starting point, have advanced together, anchoring high-quality development and moving forward steadily.

Industry serves the country, 70 years of hard work to revitalize the automotive industry

　　Changchun Dongfeng Street, China FAW old factory area. More than a hundred red buildings with Chinese-style eaves and Western-style balconies stand quietly. Here, two national car brands, Red Flag and Liberation, were bred, witnessing the historical process of the new China automobile industry from scratch and from weak to strong.

　　Automobiles, an important symbol of modern industrial civilization, are a symbol of a country’s manufacturing strength and a powerful engine for national economic development.

　　In the early days of the founding of New China, there was nothing to be done. "When can we get on the car we built ourselves?" The simple words carried the industrial dream of a country. The party listed the construction of FAW as one of the 156 key projects during the "First Five-Year Plan" period. On July 15, 1953, 10,000 builders from all over the country gathered in the southwest suburbs of Changchun and laid the first foundation pile on the vast wilderness. The road to FAW’s entrepreneurship was paved, and the new Chinese automobile industry began from then on.

　　"China’s man-made cars started under poor and white conditions!" Wang Fengge, a 90-year-old veteran employee, recalled the early days of the factory’s construction. At that time, there was a frenzy of support for FAW across the country. "Repair roads to FAW, connect gas to FAW, and transfer cadres to FAW…" In 1954, 95% of Changchun’s municipal construction costs were invested in the construction of FAW.

　　Drawing on the strength of the whole country, it will be completed and put into operation in three years; starting from scratch, it will open up the beginning of the new Chinese automobile industry.

　　On July 13, 1956, the first domestic Jiefang truck rolled off the assembly line, bringing an end to the history of China’s inability to build cars; on May 12, 1958, the first domestic car, Dongfeng Jinlong, drove out of the trial production workshop and started the process of self-made cars…

　　In the FAW Hongqi Cultural Exhibition Hall, an oil painting recreates the days in full swing: several craftsmen gather together to make a mud model of a Hongqi car by hand.

　　"In order to celebrate the 10th anniversary of the founding of New China, we took over the task of manufacturing high-end cars." Dou Shuxiang, a retired veteran employee, clearly remembers that time was tight and the drawings were too late to draw. At that time, the factory manager Rao Bin discussed with the designers and made a bold decision – to hit it directly with a hammer!

　　Summon the country’s top sheet metal masters, work day and night to knock out the body; hang up more than 2,000 spare parts pictures, and skilled craftsmen grab the pictures for trial production… On August 1, 1958, the first Hongqi brand high-end car was successfully trial-produced, which took only more than a month.

　　Today, when modern production has been widely popularized, it is difficult for people to imagine how the car was built in a closed technology and difficult conditions. However, entrepreneurship is difficult, and the journey from building a car to building a good car is still long –

　　In the early 1980s, the indicators of Jiefang brand cars were obviously lagging behind. In three years, more than 20,000 sets of process equipment were updated, and 79 new production lines were built. After six years, China’s second-generation truck Jiefang CA141 was put into production. FAW withstood huge pressure and completed the replacement and production without stopping production or reducing revenue, realizing the "second business".

　　The reform and opening up quickly opened up the automobile market. At that time, the domestic automobile production capacity was less than one million units, and the products were "less heavy and less light", and transformation and upgrading were imminent. Following the pace of the industry, FAW began its "third venture": building a modern production base, vigorously developing light vehicles and cars; establishing joint ventures with Volkswagen, Toyota, etc., to rapidly improve manufacturing capacity… Through structural adjustment and joint venture cooperation, the enterprise grew rapidly. In 2001, the output and revenue increased by 3.2 times and 13.4 times compared with 1988.

　　China’s entry into the WTO has accelerated the process of automotive globalization. Faced with the sudden influx of foreign brands, local enterprises that do not have an advantage in technology and brands were once in crisis. The passivity of market competition made FAW realize that only reform and innovation can keep up with the rhythm.

　　Separation of main and auxiliary, taking the step from "plan" to "market"; shareholding reform, completing the transformation from a single state-owned sole proprietorship to a multi-investment entity.

　　Since the 18th National Congress of the Communist Party of China, FAW has pressed the reform fast forward button.

　　On September 18, 2017, a "four-energy reform" in which cadres can go up and down, employees can come in and out, salaries can be high and low, and institutions can increase and decrease their capacity was fully launched.

　　"At that time, I had just arrived in Beijing for training, and the next morning I received a notice that everyone’stood up ‘and re-competed for jobs. How could I have the heart to stay, so I quickly bought a ticket and returned." Liu Jun, director of the FAW Reform Office, recalled the scene at that time.

　　Clear goals, with the strength of the whole group to develop the Hongqi brand; Highlight innovation and improve the independent research and development system; Survival of the fittest, breaking the "iron chair" to set jobs with goals and pay for performance… Radical reform has restructured the system and mechanism, and stimulated innovation vitality. The "new entrepreneurship" marked by reform and innovation has also given FAW a new life –

　　It has grown into a world-renowned automobile manufacturer and ranked among the top 500 companies in the world; by the end of 2022, the cumulative production and sales of automobiles exceeded 54 million, and the operating income was 7.9881 trillion yuan; in the past 5 years, the sales volume of the Hongqi brand has increased by 65 times, and the brand value has reached 115.50 billion yuan; for 12 consecutive years, the brand has been liberated to lead the industry, and the brand value has reached 118.70 billion yuan.

　　It was born because of the national automobile industry and developed with the tide of the times. FAW has opened a new page in China’s automobile industry, witnessed the hardships and achievements of car manufacturing in a big country, trained a large number of industrial talents who understand technology and management for China’s automobile industry, promoted the growth and expansion of the industrial chain, and made due contributions to building an automobile power.

　　In 70 years, from the "15th Five-Year Plan" to the "14th Five-Year Plan", FAW, which used to be like a child, has entered its prime. China’s auto industry has achieved leapfrog development through hard work and independent innovation: today, China has become the world’s largest automobile production and sales country for 14 consecutive years, and the scale of new energy vehicles production and sales has been the world’s largest for 8 consecutive years.

　　"Only by unswervingly following the beat of the market and the drumbeat of reform can we have lasting vitality and momentum." Wang Guoqiang, deputy secretary of the FAW Party Committee, lamented that this is the inspiration of FAW’s development and the portrayal of China’s automobile industry.

Climb the peak bravely and strive to master the key core technologies

　　The maximum power reached 560 kilowatts, and the performance index achieved international leadership – at the beginning of this year, the trial production of the V-type 12-cylinder direct injection engine developed by FAW was launched.

　　The engine is the "heart" of the car, and the manufacturing process is superb. The V12 engine, which has a complex structure and is difficult to develop, represents the highest level of passenger car engines. As a latecomer, China has long been blank in this field.

　　"This is the hard work of several generations of Hongqi people!" On the day the product was launched, Zhao Huichao, acting vice president of FAW Research and Development Institute, had mixed feelings. After continuous scientific and technological research, this engine broke the decades-long technical barriers of international suppliers and took the initiative in power manufacturing.

　　The key core technology is the "life gate" of industrial development. Once upon a time, domestic vehicle production relied on external imports. High technology transfer fees and strict negotiation conditions hindered both production and product development.

　　During the FAW inspection, the Supreme Leader General Secretary emphasized that to promote the high-quality development of our country’s automobile manufacturing industry, it is necessary to strengthen the independent research and development of key core technologies and key components.

　　Basic materials, key components, advanced technology… With the growth and expansion of China’s automobile industry, generations of FAW people have begun to work hard on core technologies.

　　0.015Mm, which is equivalent to 1/5 of the diameter of a hair, was "carved" by Yang Yongxiu, the chief technical master of FAW Research and Development Institute, and his team for 13 years.

　　This is the "Chinese precision" of the engine block. Yang Yongxiu told reporters that there are more than 100 holes in the engine block, which are easily deformed during processing. In order to ensure performance, the precision of the cylinder hole must be controlled to the limit. But the core parameters of the fine processing of numerical control milling machines have always been regarded as secrets by foreign companies.

　　"Since you want to do it, you have to achieve a level of refinement that is difficult for others to achieve." After more than ten years of sharpening the sword, after repeated overthrow and repeated trials in countless codes, Yang Yongxiu and his team finally cracked the core parameters and mastered the "key" of precision manufacturing.

　　Diving deep into the "stuck neck" field, keep taking solid steps –

　　Set up a special project working group for the transmission, establish a powertrain factory, and carry out comprehensive independent research and development for more than ten years to achieve comprehensive independent control;

　　Focusing on power batteries, innovating a series of technologies such as low-temperature batteries and battery pack thermal insulation to achieve trial production of Ah-level all-solid-state batteries;

　　From system integration and intelligent networking to forward-looking modeling and key materials, we will continuously target 41 key directions…

　　In 2017, the FAW R & D General Institute was inaugurated, integrating the technical forces formerly scattered in various departments, and implementing awards for listing, project contracting, and technical achievements in proportion to profits.

　　The optimization of the system and mechanism has released the vitality of innovation, and FAW has accelerated its charge in key frontier technology fields: breaking through the key technologies of high-efficiency hybrid systems, completing the application development of autonomous vehicle operating systems…

　　"Our R & D staff has grown from 2,360 to more than 4,500, and the new car development cycle has been reduced from 48 months to 24 months," said Wang Deping, executive vice-president of FAW Research and Development Institute. In the past three years, 494 key core technologies such as high-efficiency high-speed electric drive, intelligent wire-controlled chassis, and L3-level autonomous driving have been broken through.

　　Today, the global automotive industry is accelerating its transition to electrification and intelligence, and the transformation of production methods has put forward more urgent requirements for the safety and control of the industrial chain and collaborative innovation.

　　"This requires the joint efforts of domestic peers to make up for each other’s shortcomings," Zhou Shiying, acting vice-president of FAW’s R & D General Institute, told reporters. As a chain-leading enterprise, FAW must open up its ecology and achieve joint research and co-creation. "This is a matter of one prosperity and one loss."

　　Cooperate with China Resources Microelectronics and others to deepen the industrial chain of electronic components; gather leading software companies to strengthen algorithm development and verification… FAW and leading units have established 38 collaborative innovation laboratories and 5 basic research laboratories, and strive to promote industrial chain upgrades and breakthroughs. "In the future, we will continue to open up capabilities such as vehicle-end delivery, and together with our industrial chain partners, we will advance into the’no man’s land ‘of automotive technology." Zhou Shiying said.

　　Self-reliance and independent innovation, FAW’s exploration is a portrayal of China’s automobile industry. After 70 years of industrialization abroad, China’s ups and downs of car manufacturing are full of thirst and climbing for core technologies.

　　Today, China’s automotive industry has a stronger foundation and strength, with the world’s leading market size and industrial chain advantages for new energy vehicles, standing on the same starting line as the global automotive industry.

　　To change lanes and overtake cars requires innovation and breakthroughs. "Always take independent innovation as the foundation, strive to control key core technologies and enhance the competitiveness of the whole chain, and the confidence to deal with risks will be stronger, and the driving force for industrial development will be stronger," said Fu Bingfeng, executive vice-president of the China Association of Automobile Manufacturers.

Anchor the course, take advantage of the trend to let national brands stand at the forefront

　　On July 3, with the 20 million new energy vehicles rolled off the assembly line, China’s automobile industry reached a new milestone. In this wave of electrification and intelligent transformation, Chinese automobiles have accelerated into the center of the world stage, and national brands have ushered in historical opportunities.

　　"This gives us a rare window of time. What we need to do now is to anchor the high quality and accelerate the brand upward!" Wang Guoqiang said.

　　Walking into the prosperous factory area of Hongqi Manufacturing Center, the experience of intelligent manufacturing is coming: the integrated robot cluster is orderly, the ultrasonic equipment is accurately inspected, and a Hongqi car "drives" to the market every minute. "Through data sensing, every detail here will be’moved ‘to the virtual’twin factory’, which will improve the quality and efficiency of production and provide support for innovation," Xiu Junyi, deputy general manager of Hongqi Manufacturing Center, told reporters.

　　It is a factory and a data platform; it is production and supply chain management. With advanced manufacturing as the driving force, we will continue to transform to high-end, intelligent and green.

　　Take the "steering wheel" of the industry and firmly promote the strategic layout.

　　"Two All" – On the occasion of the 70th anniversary of the establishment of the factory, the Hongqi brand announced that all investment in technological innovation will be used for new energy vehicles, and all new production capacity will be used for new energy vehicles.

　　Established new energy development institute, intelligent network development institute, etc., forward-looking reserve the technical direction of the next ten years, and build independent and controllable core capabilities; in the next three years, 15 Hongqi new energy intelligent products will be launched intensively, covering all market segments; by 2025, FAW new energy vehicle sales will reach 1.45 million, and Hongqi brand will exceed 500,000…

　　"This is the core track of industrial development." Qiu Xindong, general manager and deputy party secretary of China FAW, said that by fighting the tough battle of new energy transformation, it is necessary to drive the all-round transformation of enterprises from concept to operation.

　　Strengthen its own brand and accelerate its integration into the global industrial landscape.

　　Recently, at the railway port of Changchun Xinglong Comprehensive Bonded Zone, new Hongqi cars were packed in an orderly manner and set sail for Europe. Riding the "wave" of new energy vehicles going to sea, the Hongqi brand accelerated "going out" – from January to June, the export of 5003 vehicles was completed, an increase of 172% year-on-year.

　　"We want to break the outdated concept that Chinese brands are’cheap ‘," Yang Dayong, chairperson of FAW Import and Export Co., told reporters that Hongqi has chosen foreign developed regions as its target market from the beginning, and has opened up sales channels in 17 countries including Saudi Arabia and Norway. "If the Middle East and European markets can do well, it means that it can establish a high-end image in the global market."

　　The combination of headlights that symbolizes the round sky and the grille design that symbolizes the mountains and waterfalls… The Hongqi brand, which contains strong oriental aesthetics and Chinese culture, has accelerated its entry into the international market and has also entered the homes of ordinary people.

　　After 300,000 consecutive "barriers", domestic sales are expected to exceed 400,000 this year.

　　"Hongqi used to be regarded as a’national car ‘, but today we want to make it a’national car’," Mr. Qiu said. Hongqi needs to become younger, more fashionable, more technological and move up the value chain. "We have brand confidence and cultural confidence!"

　　Coming from the horn of war on the black land, FAW has marked the entire development process of the automobile industry in New China.

　　70 years of prosperity, with self-made indomitable progress, difficulties in the face of thousands of tempering, generation after generation of autobots passed down the fighting spirit, condensed into the Chinese auto industry unremitting forward power source.

　　Today, our country has grown from a country with a lack of industry to the world’s largest automobile producer and consumer. From "bringing in" to "going out", China has contributed to the electric transformation of the global automobile industry.

　　Don’t forget the blue strands when you come, and move forward without fear of wind and rain. On the journey from an automobile power to an automobile power, we will unswervingly promote high-quality development, and China’s automobile industry will move forward all the way!

　　　　Xinhua News Agency, Changchun, July 14

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"Close Love" Taiwan version poster

Three self-made posters by netizens

　　Recently, jointly produced by Yindu Agency Co., Ltd., Xi’an Meiya Culture Communication Co., Ltd., Beijing Zhongsheng Hechuang Culture Media Co., Ltd., Taiwan Lumiere Film joint stock company and Meiya Entertainment Development joint stock company, Taiwan’s cutting-edge director Cheng Xiaoze wrote and directed himself, and Mingdao, Peng Yuyan, Guo Caijie, and Yuan Xinyu starred in the hot-blooded idol love movie "Close at Hand" to expose the Taiwan version of the hot-blooded poster. The blood and romance revealed by this poster represent the two different temperaments that the film wants to convey. It is worth mentioning that before the official announcement of the Taiwan version of the poster, many netizens have been unable to hold back their impulses and have made their own online posters to express their expectations for the film.

Taiwan hot-blooded version poster bloody masculine

　　"Close at Hand" has been attracting the attention of fans since it was launched at the end of last year, and the exposure of the Taiwan version of the hot-blooded poster directly detonated this expectation. The poster is divided into three parts by two tear lines, which are divided into cold and warm tones. The romantic and beautiful love and the hot-blooded boxing contrast, so that the audience can feel the extremely bloody masculine and romantic fresh sides of the film in advance. The upper and lower parts of the hot-blooded version of the poster are the two female protagonists of the film, mainland potential newcomer Yuan Xinyu and Taiwan "Water Girl" Guo Caijie, in which they will play a love match with Ming Dao and Peng Yuyan. The most eye-catching part of the poster is the boxing fight between Ming Dao and Peng Yuyan. The two handsome men are a pair of pink characters in the idol drama, shirtless, and Peng Yuyan’s bloodshot eyes even reveal murderous intent.

Netizen self-made poster with unlimited creativity

　　Even before the poster for the Taiwanese version of "Close at Hand" was officially released, many netizens were already eager to use their limited resources to make online posters to express their expectations for the film, including romantic and beautiful versions, passionate confrontation versions, and starring group photo versions. Although these posters are slightly crude, they are creative. What’s more, the combination of Beijing’s Bird’s Nest and Taiwan’s 010 Building coincides with the plot needs of the film, and more subtly expresses that the film is the first Taiwanese film to be released simultaneously on both sides of the Taiwan Strait, which can be said to be unique. The netizens also said that in addition to the posters, they will continue to make more film promotional materials for the idol film "Close at Hand Love".

On August 2, a brand posted on the social platform that Zhao Liying was about to meet with everyone, and then Zhao Liying Studio forwarded the article, confirming that on August 22, she attended a brand event and officially announced Zhao Liying’s postpartum resumption time.

Zhao Liying officially announced her marriage in October 18 and announced her birth in March this year. During this period, she has rarely made public appearances. She made her first public appearance at the airport after giving birth on July 16 and has regained her slender figure.

The official announcement of the resumption of work at the studio also made fans very excited, and they left messages saying: "I haven’t seen you for a year, and finally on August 22, my sister came out" and "20 days countdown".

Related video links: Interview video: Donnie Yen completed the action due to illness, and Fan Shaohuang once kicked his opponent unconscious Premiere video: Donnie Yen and his wife show their love, Hung Jinbao calls himself a fat version of Chow Yun Fat

Movie Network News(Photo/Zhao Xinwen/Yuan Yin) The action blockbuster "Ip Man" will be launched nationwide on December 12. On December 10, the film held a grand premiere in Beijing. Director Ye Weixin, martial arts director Hung Jinbao, starring Donnie Yen, Xiong Dailin, Huang Yunan, Fan Shaohuang and other main creators attended. Taiwan’s famous mouth Huang Zijiao, who had just hosted the Golden Horse Awards, was present as the guest host. Hu Yanbin, Chen Xiaodong and Jijie offered their support, and Yu Xiaowei and Jin Qiaoqiao were also present to cheer.

creators

Ip Man’s son, Ye Zhun, presents a gift to director Liu Weixin

Huang Zijiao’s ridicule of "Guo Xionglian" was rolled-eyed by Xiong Dailin, who said there was no pressure on Guo Fucheng

Xiong Dailin was the only woman in "Ip Man", and the hyped-up romance with Guo Fucheng made Xiong Dailin the absolute focus of the night. She appeared on the runway as a runway show, showing off her 1.79-meter tall figure. When asked if there was height pressure to be with "someone Guo", Xiong Dailin admitted: "There is no pressure." He also explained: "It is rare to find a man taller than me on the street."

Despite this confession, Huang Zijiao continued to tease, "How do you know that the person I’m talking about is Guo Fucheng, not Guo Degang?" The audience burst into laughter, which embarrassed Xiong Dailin. As for whether Guo Fucheng had taught him about acting, Xiong Dailin immediately became alert: "Director Ye and Donnie Yen both told me plays and helped me a lot." Huang Zijiao immediately joked: "In fact, her implication is that there is less time for dating, and there is no time to talk about plays when we meet." Then Huang Zijiao said in horror, "Mom, don’t stare at me, your eyes are too big, and your eyes will fall off."

Huang Zijiao and Xiong Dailin

Donnie Yen revealed that her mother was a Tai Chi guru teaching the audience to practice Wing Chun on the spot "Little Idea"

Donnie Yen became a loyal fan of Bruce Lee because of "Jingwu Gate", and he first revealed that his mother was Tai Chi guru Mai Baochan, who used to open a martial arts hall in Chinatown in the United States. "My mother is very annoying, forcing me to practice martial arts for 2 hours every day to go to school, so I always go to other people’s martial arts halls to learn martial arts." Donnie Yen also taught the audience a complete set of Wing Chun "small ideas" on the spot, and worked very hard.

Donnie Yen punches "Little Idea"

The "martial arts master" Donnie Yen on stage is a good father and husband to her two children in the eyes of her wife. Her wife Wang Shishi, who was present that night, was also invited to the stage. Wang Shishi was a little shy about the host’s invitation. As a husband, Donnie Yen took the initiative to accompany his wife on stage and did a private translation. Although her Mandarin is not good, Wang Shishi did not forget to praise her husband’s patience and funny, and revealed that Donnie Yen usually does not practice martial arts at home, but only plays the piano. At the scene, Donnie Yen even boldly confessed to his wife: "I love you!" His wife Wang Shishi responded with a hug, and the scene was extremely warm.

Donnie Yen and his beloved wife whisper

Donnie Yen and his wife Wang Shishi

Donnie Yen praised Huang Yunan’s good-looking butt, Fan Shaohuang played drunken boxing and showed real kung fu

The singer-turned-Huang Yunan has a shot of showing his butt in "Ip Man". Huang Younan said that he did not mind "selling his hue", "but I happened to encounter female fans visiting the scene, and they kept making exclamations, which made me very embarrassed." Donnie Yen praised Huang Yunan’s butt for its beauty: "His butt is actually not bad, I have already seen it!"

Another male star in the film, Fan Shaohuang, also revealed his own background: "My father also opened a martial arts club, but my father and I are brothers in the same school, and I started practicing taekwondo when I was 3 years old." Fan Shaohuang also knows a lot about various boxing techniques, and played a set of mixed boxing for the audience for two minutes at the scene. Not only did he show tai chi and drunken boxing, but he also flipped two backflips, one cartwheel, and the whole audience applauded.

Donnie Yen and Huang Yunan

Hong Jinbao claims to be only 28 years old, and he is most afraid that others will say that he grew up watching his own movies

Hong Jinbao, a martial arts actor, was dressed very avant-garde that night, wearing a leather jacket and a green headscarf. When the host said that he grew up watching Big Brother Hong’s movies, the old Hong Jinbao shouted bitterly: "Now 20 years old, 40 years old, even 80 years old people say that." He said aggrieved: "I am very young, only 28 years old." The old Hong Jinbao also "fought" with the host Huang Zijiao, and the moves were still so clean that Ah Jiao had no chance to fight back. Hong Jinbao also ridiculed Huang Zijiao: "I think you can only learn’Monkey Fist ‘or’Gorilla Fist’."

Samuel Hung and Huang Zijiao fight

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Jolin Tsai launches new song "Girl in Red" MV

Jolin Tsai shoots "Girl in Red" MV

Small S cross knife performance Jolin Tsai MV

Wang Baijie has a rival play with Jolin Tsai and Xiao S

　　　　　　 Jolin Tsai [Weibo] (Jolin) ‘s new song "The Girl in Red" spent tens of millions of Taiwan dollars to shoot a movie MV with movie specifications, and joined hands with Xiao S (Xu Xidi [Weibo]) and Wang Bojie [Weibo] to challenge the thriller and suspense theme. After debuting for more than 20 years, it was the first time they cooperated. The three of them played on the same stage, and accidentally involved a bizarre blood case. They even invited Cheng Weihao, the director of the movie "The Little Girl in Red" series, to direct. After reading the script, Xiao S readily agreed to the invitation, humorously saying: "In fact, I was a little worried that I would not be able to mess up the MV. After carefully reading the script, I found that it was written for me, because I found that I kissed the male lead in one scene, and I told the agent that I

　　Jolin and Xiao S, who cooperated on the screen for the first time, were full of sparks, and the backstage was even more joyous. When Xiao S was in the play, he deliberately asked Jolin: "I have a kissing scene, won’t you envy it?" Jolin shook his head and said no, making Xiao S pretend to be angry and said to Jolin: "That’s because you’re not married! I’ve been married for 12 years, as long as it’s not my husband’s kissing scene, I can take it!" Interestingly, after the performance was completed, Xiao S couldn’t help but ask Jolin why he wanted to find her to act in the movie MV, but Jolin blurted out: "Because the body shape is very suitable!" Let Xiao S couldn’t help but roll his eyes and twitch his mouth and say: "I thought she would say that I am the most suitable person, but I didn’t expect her to say that after she finished this sentence… full stop! Make me dumbfounded on the spot. "

　　Wang Bojie had previously collaborated with Jolin in advertising, and Jolin said in particular: "Bojie’s investment in acting allows people who play opposite him to be inspired to act, which is great! Thank you for adding a handsome color to the movie MV." Wang Bojie, who kissed Xiao S unemotionally in the movie MV, also received Xiao S certification for his "kissing skills". After twice KO this key kissing scene on the set, he made Xiao S jokingly and angrily say: "How did you finish filming so quickly! Can you do it again?" Wang Bojie, who had an intimate scene with the two divas for the first time, admitted that he was very nervous during the filming. He said: "I was really honored when I received the invitation, but on the one hand, I was also afraid of being scolded by netizens. Why can I act with the two divas?"

　　The movie MV invited director Cheng Weihao to direct. After listening to the song, he already had the idea of the script, using the main concept color "red" as an embellishment, bringing out the wedding scene in the space-time background of the overhead characters, interspersed with fashion and Japanese elements, but mixed with a lot of black, white and gray tones, which looked like a funeral wedding, which was chilling.

COVER STORY | Cover Story

The most intense and uncomfortable scene in Ruan Jingtian’s heart in "Removing the Three Evils in the Week" was actually when Xiaomei went to prison to shave Chen Guilin. It was one of the few warm moments in Chen Guilin’s life, and it was also the moment when he cried most sincerely. In his heart, just like in Ruan Jingtian’s heart, pain and sadness are not worth crying. What can really penetrate the barrier of the soul and shake the foundation of reason is the beauty in life. The beauty he has experienced has impacted Ruan Jingtian, reshaped him, and healed him. From "The First Brother of the Idol Drama" to being nominated for the Best Actor again, he has been struggling silently for more than ten years. He has never been in a hurry for quick success, nor has he given up halfway. He has just patiently cultivated his mind with daily life and characters, observing its natural growth until he is seen by everyone again.

At the 60th Golden Horse Awards, before the Best Actor award, the host Huang Lu Ziyin walked to Ruan Jingtian and opened a "wanted notice" saying that if he wanted to be famous in history today, he would have to "spend double the effort." The wanted notice showed five candidates for best actor, and Ruan Jingtian was at the bottom. He had to kill everyone in front of him like in "Three Evils in a Week."

"But you also have to have the confidence," she continued, "because you are the only one among the five candidates who has been on that stage and won that award!" Ruan Jingtian bowed his head and smiled humbly. At the age of 28, he won the Best Actor by beating three mainland seniors with "Monga". Thirteen years later, he became the oldest of all the candidates.

Thirteen years have changed him a lot. He told Esquire that coming back to the Golden Horse Awards was not about competition and excitement, but a sigh of relief. He felt like he was at a family reunion, talking to everyone about what was going on, and seeing so many good people still working hard, and feeling that he was part of it, it made him feel at ease.

In the spring of 2024, "Three Evils in a Week" became the biggest surprise in mainland theaters. The killer Chen Guilin turned himself in to the police station, only to find himself third on the wanted list, and no one recognized him, so he thought of removing the top two on the wanted list and finally making a name for himself. More famous than the violent plot, it is the climax of the plot, accompanied by a melodious ballad "New Creation", where Chen Guilin slaughtered stubborn cultists. The elegant tunes and simple costumes are in sharp contrast to the mind control and bloody scenes. The corresponding film quickly swept through the short video platform, and the audience called it enjoyable. Anyone who has never seen the movie can probably hum a few words "I used to be at a loss" or "It’s almost time."

Ruan Jingtian, who played Chen Guilin, surprised the audience. This bald, unshaven, tough guy in an oversized shoulder-padded suit turned out to be the overbearing president of the enlightenment "Ji Cunxi" in the hearts of girls more than ten years ago. From Ji Cunxi to Chen Guilin, it was Ruan Jingtian’s 16 years of hard work and the accumulation of countless characters in the middle. Those unique and rich life experiences naturally grew on his body and became his meridians and his armor.

Chen Guilin is not an evil or brutal killer. Most of the time, his eyes are confused and naive. He has been cheated many times in the play, cried and repented at the end of his life, and finally discovered the beauty of life that he did not have time to experience during the ups and downs of his emotions. For Ruan Jingtian, "Removing the Three Evils in the Circle" was almost a fateful encounter with him. From the very beginning of reading the script, he found many parts that belonged to his own memories. Although it was not as extreme as in the play, it also touched him deeply.

In the previous ten years, Ruan Jingtian had not had a good time.

In the era of the idol drama fire, he starred in "I’m in Kenting * The weather is fine", "I’m destined to love you", and "The Queen of Lost Dogs", all of which achieved phenomenal success.

The newly established image of a handsome cream boy soon jumped to another stage after "Monga" in 2010. In this gangster film, he played the "monk" He Tianyou, who became the best actor at the 47th Golden Horse Awards. People began to call him "Idol Drama Brother" and regarded him as a new "Best Actor" standard.

Suddenly, he went from a junior, a director who would teach him how to act and carry him forward, to a widely respected senior. Few people dared to guide him, and criticism turned to praise and praise. He had to give his best to each film, and his identity demanded that of him.

But the road ahead was not smooth. The response to "Blood Drop", "Detective Runaway" and "Murder Like Water" was not as good as expected. The famous director and the big cast did not bring the planned "success". Some of the events that happened during this time left Ruan Jingtian in a painful state of mind. He was confused, self-doubting, and lived a lonely life: celebrating birthdays alone, hiding at parties, and often losing phone contact.

"Success" is a strange word for Ethan. He said of himself that every role he has taken on over the years, whether successful or not in the eyes of the audience, is equally important to him to do his best. He said:

Doing it well is not in line with the director’s expectations, not in line with the audience’s expectations, but in line with my expectations for this role and my expectations for myself. "

His expectations for himself are not specific or deliberate, and do not involve any performance skills or delicate designs. His expectations, or his method, is to become a character. Thinking as a character, acting as a character, even without any special design, can make the audience receive strong and complex emotions through the screen. For Ruan Jingtian, he enters work with a pure state of mind, and the first and most crucial step in his process of becoming a character is "believe".

For Ruan Jingtian and Chen Guilin, this seems to be similar – "believe" comes before "understand". Chen Guilin in the play believes many times: believe in Guiqing, believe in Guan Shengdi, believe in Xiaomei, believe in Lin Luhe ("Venerable One"), believe in law and order. Chen Guilin is the pig who represents "ignorance" and is always deceived. But he can always reflect and grow little by little until he really finds something meaningful to him.

And Ethan’s "belief" came earlier than in the play. He started by believing in shoulder-padded suits, and in the temperature, wind, and light of the set. From these environments, Ethan began to look for signs of Chen Guilin’s true existence. The director Huang Jingfu communicated with him in a very special way. He gave Chen Guilin’s costume to Ethan two months before filming, so that he could experience what it was like to be Chen Guilin every day. And from the very beginning of reading the script, he often asked Ethan some open-minded and far-reaching questions: "What kind of person are you? Where are you from? What do you want to do in the future?" He answered not only as Chen Guilin, but also as Ruan Jingtian.

In these questions and answers, Ruan Jingtian felt that the character was like a plant, growing naturally on him.

Chen Guilin’s unbearable emotions also gradually appeared on him. Huang Jingfu reminded him at the beginning, hoping that he would throw away the current tranquility and peace and return to the ups and downs of the most difficult years. Ruan Jingtian’s confusion and pain gradually overlapped with Chen Guilin’s.

Ruan’s history for Chen Guilin is that of a third-generation provincial who grew up in a village where he was close to his grandmother. This is quite close to his own experience. He took on "Paradise in the Army" because his grandparents, like that story, were Taiwan’s first generation of provincial people. Chen Guilin is a romantic person, but he also has many regrets: he made a lot of money, but found that it was not what his grandmother needed, and finally he could only wear the piggy watch bought by his grandmother to express his thoughts. He yearned for brotherhood, but the only thing left in the end was a suit. He yearned to purify his mind, but eventually found that it was just a scam by his enemies.

For Mr. Ruan, Mr. Chen’s life was a gray composite of the people he met. In daily life, in the park and in the hospital, he would often stop to see what the people next to him were doing. The behavior of the elderly in the hospital often hit him deeply. Their eyes gradually changed over the course of several months, and the desire for life became more and more intense, wanting to grasp the last tail of life. In those eyes, he realized an ultimate simplicity.

This innocence is also present in Chen Guilin. His brilliant fight with "Aberdeen" spreads from stairs to rivers, wilderness and greenhouses, and although the pistol is at his waist, Chen Guilin insists on hand-to-hand combat. At the end of the paragraph, "Aberdeen" is defeated and faces trial. The last question asked Chen Guilin is "give me a reason". Chen Guilin taps his severed eyebrow. The shot is romantic, wild and heart-wrenching.

The opposite of this simplicity is the constant emergence of regret. In a comprehensive, gray life, people, time, and geography are constantly changing, and changes are often beyond human control and do not listen to human opinions. After sudden and huge changes, people spend a lot of time digesting them, getting along with them, and finally accepting them either satisfactorily or reluctantly. In the face of regret, people’s actions are always intriguing. Ruan Jingtian asked:

You and I have done some things that will make me regret, but now, in Chen Guilin’s present, even if he knows that he will regret it in a few years, will he regret it now? "

The answer is complicated. Chen Guilin has an urge to fight against fate, and because of this, he devoured the bento and shot "Brother Iron Head" lightly, fled incognito for four years, and began the story of "Removing the Three Harmies in the Circle". Towards the end of the story, Xiaomei shaves Chen Guilin with a blunt electric razor, and he bursts into tears. It was the first time in years that he felt the warmth of the world. At that time, did he feel regret for the course of life and the tricks of fate?

For Ethan, the biggest difference between Chen Guilin and him is that Chen Guilin is a "person without a future." At the end of the film, when Zhang Guiqing visits him and reveals the truth of the story, Ethan feels real sadness. He suddenly realizes that there are so many beautiful things in the world, and he has no chance to experience them again. Compared with loyalty, attachment, regret, and innocence, the regret of losing one’s life is overwhelming, which makes him finally apologize sincerely.

Although the story of "The Three Evils of the Week" is over, Chen Guilin survives as a part of Ruan Jingtian. After filming the movie, Ruan often has a wonderful and fateful feeling. He will send a message to Huang Jingfu, explaining why there are so many coincidences in his life and how it is similar to the script. Those changes are just like what Chen Guilin experienced, which cannot be stopped, and can only be quietly felt and silently participated. During this process, Chen Guilin is like an old friend, continuing to accompany Ruan Jingtian and stand with him.

For Ethan, his amazing growth and transformation has been shaped by the characters who have accompanied him along the way. He loves his work as an actor, and he says he often feels "lucky to have enough time to observe what happens in a character’s life." For better or worse, these very different experiences have become a natural resource for Ethan to nourish himself and grow naturally.

After the movie was completed, Ruan Jingtian was immersed in Chen Guilin’s pain for a long time.

He always tries his best to immerse himself in his characters, so the road to acting is often long.

What really helped him were some friends outside the entertainment industry.

Ruan Jingtian was in a motorcycle group, whose members came from all over the world, from all over the world, and from three religions and nine streams. After the success of "Removal of Three Evils in a Week", friends would occasionally imitate Chen Guilin’s appearance and say to him, "Emperor Guan Sheng gave me nine holy grails" or "It’s about time." Ruan Jingtian would not respond to these words in particular, but in simple exchanges, he could gradually distinguish Ruan Jingtian in the motorcycle group from Chen Guilin on the movie screen. The texture of daily life, those old blandness and longevity, came back to Ruan Jingtian bit by bit in the sound of riders waking him up and the family routine with him. He likes the feeling of being an ordinary person.

Compared with the time spent with the riders and the wonderful sense of fate in the crew, what made Ruan Jingtian happier was the most cherished of all the things that "Removing the Three Evils in the Circle" brought him, which was his mother’s smile.

After seeing the movie, Ethan’s mother said to him: "You are so good, there is no shadow of you in the movie, it is all characters." Then she ran to recommend to her friends: "Go and watch it, I tell you, my son is super good." This gave Ethan a happy redemption. After 20 years as an actor, he has been completely mentally prepared. No matter what criticism he hears or what accidents he encounters, it is a part of doing this job. But the evaluation of him seems to inevitably spread to his family. His mother has not benefited from his status as an actor, but can only bear the blame with him, which makes him unable to get rid of guilt. The joy and pride of his mother is the best harvest that "Removing the Three Evils in the Week" has brought to Ethan.

The most intense and uncomfortable scene in Ruan Jingtian’s heart in "Removing the Three Evils in the Week" was actually when Xiaomei went to prison to shave Chen Guilin. It was one of the few warm moments in Chen Guilin’s life, and it was also the moment when he cried most sincerely. In his heart, just like in Ruan Jingtian’s heart, pain and sadness are not worth crying. What can really penetrate the barrier of the soul and shake the foundation of reason is the beauty in life. The beauty he had experienced impacted Ruan Jingtian, reshaped him, and healed him. From "the first brother of the idol drama" to being nominated for the best actor again, he struggled silently for more than ten years. He never rushed for quick success or gave up halfway.

Written by Chu Zijing

Text Editor, Wang Wenqing